Coin of the Year / Clement Wood

Coin of the Year

November, you old alchemist,
Who would have thought
You could turn the high arrogance of golden-rod
To still plumes of silver?

~~
Clement Wood (1888-1950)
from Poetry, December 1917

[Poem is in the public domain in Canada and the United States]

Photo: AnRo0002, 2011. Public domain, Wikimedia Commons

Clement Wood biography

Raglan Road / Patrick Kavanagh

Raglan Road

On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion’s pledge,
The Queen of Hearts still making tarts and I not making hay
O I loved too much and by such by such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that’s known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say,
With her own name there and her own dark hair like clouds over fields of May.

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay –
When the angel woos the clay he’d lose his wings at the dawn of day.

~~
Patrick Kavanagh (1904-1967)
from The Irish Times, October 1946

[Poem is in the public domain in Canada]

Patrick Kavanagh biography

November / Robert Bridges

November

The lonely season in lonely lands, when fled
Are half the birds, and mists lie low, and the sun
Is rarely seen, nor strayeth far from his bed;
The short days pass unwelcomed one by one.

— Out by the ricks the mantled engine stands
Crestfallen, deserted, — for now all hands
Are told to the plough, — and ere it is dawn appear
The teams following and crossing far and near,
As hour by hour they broaden the brown bands
Of the striped fields; and behind them firk and prance
The heavy rooks, and daws grey-pated dance:
As awhile, surmounting a crest, in sharp outline
(A miniature of toil, a gem's design,)
They are pictured, horses and men, or now near by
Above the lane they shout lifting the share,
By the trim hedgerow bloom'd with purple air;
Where, under the thorns, dead leaves in huddle lie
Packed by the gales of Autumn, and in and out
The small wrens glide
With a happy note of cheer,
And yellow amorets flutter above and about,
Gay, familiar in fear.

— And now, if the night shall be cold, across the sky
Linnets and twites, in small flocks helter-skelter,
All the afternoon to the gardens fly,
From thistle-pastures hurrying to gain the shelter
Of American rhododendron or cherry-laurel:
And here and there, near chilly setting of sun,
In an isolated tree a congregation
Of starlings chatter and chide,
Thickset as summer leaves, in garrulous quarrel:
Suddenly they hush as one, —
The tree top springs, —
And off, with a whirr of wings,
They fly by the score
To the holly-thicket, and there with myriads more
Dispute for the roosts; and from the unseen nation
A babel of tongues, like running water unceasing,
Makes live the wood, the flocking cries increasing,
Wrangling discordantly, incessantly,
While falls the night on them self-occupied;
The long dark night, that lengthens slow,
Deepening with Winter to starve grass and tree,
And soon to bury in snow
The Earth, that, sleeping 'neath her frozen stole,
Shall dream a dream crept from the sunless pole
Of how her end shall be.

~~
Robert Bridges (1844-1930)
from Poetical Works, 1912

[Poem is in the public domain in Canada, the United States, and the European Union]

Robert Bridges biography

Autumn / Christopher Brennan

Autumn

Autumn: the year breathes dully towards its death,
beside its dying sacrificial fire;
the dim world's middle-age of vain desire
is strangely troubled, waiting for the breath
that speaks the winter's welcome malison
to fix it in the unremembering sleep:
the silent woods brood o'er an anxious deep,
and in the faded sorrow of the sun,
I see my dreams' dead colours, one by one,
forth-conjur'd from their smouldering palaces,
fade slowly with the sigh of the passing year.
They wander not nor wring their hands nor weep,
discrown'd belated dreams! but in the drear
and lingering world we sit among the trees
and bow our heads as they, with frozen mouth,
looking, in ashen reverie, towards the clear
sad splendour of the winter of the far south.

~~
Christopher Brennan (1870-1932), 1906
from Poems, 1913

[Poem is in the public domain in Canada, the United States, and the European Union]

Christopher Brennan biography

Lunar Paraphrase / Wallace Stevens

Lunar Paraphrase

The moon is the mother of pathos and pity.

When, at the wearier end of November,
Her old light moves along the branches,
Feebly, slowly, depending upon them;
When the body of Jesus hangs in a pallor,
Humanly near, and the figure of Mary,
Touched on by hoar-frost, shrinks in a shelter
Made by the leaves, that have rotted and fallen;
When over the houses, a golden illusion
Brings back an earlier season of quiet
And quieting dreams in the sleepers in darkness —

The moon is the mother of pathos and pity.

~~
Wallace Stevens (1879-1955), 1918
from Harmonium, 2nd edition, 1931

[Poem is in the public domain in Canada and the United States]

Wallace Stevens biography

1915: The Trenches / Conrad Aiken (I - II)

1915; The Trenches

I

All night long, it has seemed for many years,
We have heard the terrible sound of guns,
All night long we have lain and watched the calm stars.
We cannot sleep, though we are tired,
The sound of guns is in our ears,
We are growing old and grey,
We have forgotten many simple things.
Is this you? Is this I?
Will the word come to charge today? . . .
All night long, all night long,
We listen and cannot close our eyes,
We see the ring of violet flashes
Endlessly darting against the skies,
We feel the firm earth shake beneath us,
And all the world we have walked upon
Crumbles to nothing, crumbles to chaos,
Crumbles to incoherent dust;
Till it seems we can never walk again,
That it is foolish to have feet, foolish to be men,
Foolish to think, foolish to have such brains,
And useless to remember
The world we came from,
The world we never shall see again . . .
All night long we lie this way,
We cannot talk, I look to see what you are thinking,
And you, and you, –
We are all thinking, 'Will it come to-day?'
Get your bayonets ready, then –
See that they are sharp and bright,
See that they h ave thirsty edges,
Remember that we are savage men,
Motherless men who have no past . . .
Nothing of beauty to call to mind,
No tenderness to stay our hands . . .
. . . We are tired, we have thought all this before,
We have seen it all and thought it all,
Our thumbs are calloused with feeling the bayonet's edge,
We have known it all and felt it all
Till we can know no more.


II

All night long we lie
Stupidly watching the smoke puff over the sky,
Stupidly watching the interminable stars
Come out again, peaceful and cold and high,
Swim into the smoke again, or melt in a flare of red . . .
All night long, all night long,
Hearing the terrible battle of guns,
We think we shall soon be dead,
We sleep for a second, and wake again,
We dream we are filling pans and baking bread,
Or hoeing the witch-grass out of the wheat,
We dream we are turning lathes,
Or open our shops, in the early morning,
And look for a moment along the quiet street . . .
And we do not laugh, though it is strange
In a harrowing second of time
To traverse so many worlds, so many ages,
And come to this chaos again,
This vast symphonic dance of death,
This incoherent dust.

[Poem is in the public domain in the United States]
Read the complete poem here.

1915: The Trenches / Conrad Aiken (III - IV)

from 1915: The Trenches

III

We are growing old, we are older than the stars:
You whom I knew a moment ago
Have walked through ages of silence since then,
Memory is forsaking me,
I no longer know
If we are one or two or the blades of grass . . .
All night long, lying together,
We think in caverns of dreadful sound,
We grope among falling boulders,
We are overtaken and crushed, we rise once more,
Performing, wearily,
The senseless things we have performed so often before.
Yesterday is coming again,
Yesterday and the day before,
And a million others, all alike, one by one,
Sulphurous clouds and a red sun,
Sulphurous clouds and a yellow moon,
And a cold drizzle of endless rain
Driving across them, wetting the barrels of guns,
Dripping, soaking, pattering, slipping,
Chilling our hands, numbing our feet,
Glistening on our chins.
And then, all over again, after grey ages,
Sulphurous clouds and a red sun,
Sulphurous clouds and a yellow moon . . .
I had my childhood once, now I have children,
A boy who is learning to read, a girl who is learning to sew,
And my wife has brown hair and blue eyes . . .
Our parapet is blown away,
Blown away by a gust of sound,
Dust is falling upon us, blood is dripping upon us,
We are standing somewhere between earth and stars,
Not knowing if we are alive or dead . . .
All night long it is so,
All night long we hear the guns, and do not know
If the word will come to charge to-day.


IV

It will be like that other charge –
We will climb out and run
Yelling like madmen in the sun
Running stiffly on the scorched dust
Hardly hearing our voices
Running after the man who points with his hand
At a certain shattered tree,
Running through sheets of fire like idiots,
Sometimes falling, sometimes rising.
I will not remember, then,
How I walked by a hedge of wild roses,
And shook the dew off, with my sleeve,
I will not remember
The shape of my sweetheart's mouth, but with other things
Ringing like anvils in my brain
I will run, I will die, I will forget.
I will hear nothing, and forget . . .
I will remember that we are savage men,
Motherless men who have no past,
Nothing of beauty to call to mind
No tenderness to stay our hands . . .

[Poem is in the public domain in the United States]
Read the complete poem here.

1915: The Trenches / Conrad Aiken (V - VII)

from 1915: The Trenches

V

We are tired, we have thought all this before,
We have seen it all, and thought it all.
We have tried to forget, we have tried to change,
We have struggled to climb an invisible wall,
But if we should climb it, could we ever return?
We have known it all, and felt it all
Till we can know no more . . .
Let us climb out and end it, then,
Lest it become immortal.
Let us climb out and end it, then,
Just for the change . . .
This is the same night, still, and you, and I,
Struggling to keep our feet in a chaos of sound.
And the same puff of smoke
Passes, to leave the same stars in the sky.


VI

Out there, in the moonlight,
How still in the grass they lie,
Those who panted beside us, or stumbled before us,
Those who yelled like madmen and ran at the sun,
Flinging their guns before them.
One of them stares all day at the sky
As if he had seen some strange thing there,
One of them tightly holds his gun
As if he dreaded a danger there,
One of them stoops above his friend,
By moon and sun we see him there.
One of them saw white cottage walls
With purple clematis flowers and leaves,
And heard through trees his waterfalls
And whistled under the eaves;
One of them walked on yellow sand
And watched a young girl gathering shells –
Once, a white wave caught her hand . . .
One of them heard how certain bells
Chimed in a valley, mellow and slow,
Just as he turned to go . . .


VII

All night long, all night long,
We see them and do not remember them,
We hear the terrible sounds of guns,
We see the white rays darting and darting,
We are beaten down and crawl to our feet,
We wipe the dirt from mouths and eyes,
Dust-coloured animals creeping in dust,
Animals stupefied by sound;
We are beaten down, and some of us rise,
And some become a part of the ground,
But what do we care? We never knew them,
Or if we did it was long ago . . .
Night will end in a year or so,
We look at each other as if to say,
Across the void of time between us,
'Will the word come to-day?'

~~
Conrad Aiken (1889-1973)
from Nocturne of Remembered Spring, and other poems, 1915

[Poem is in the public domain in the United States]
Read the complete poem here.

Conrad Aiken biography

November / Marjorie Allen Seiffert

November

Where, like ghosts of verdant days
  Whispering down,
Leaves in the November haze
  Drift and drown,

Stand two lovers, motionless
  And apart
In their sturdy nakedness
  Of the heart —

Two dark figures, side by side
  In the mist,      
Standing as though time had died
  Since they kissed;

Whose deep roots, alive and sound
  Blindly reach,
Mingling in the fertile ground      
  Each with each.

Pray that we, when gaunt and old,
  Like bare trees
Through our common earth may hold
  Close like these!    

~~
Marjorie Allen Seiffert (1885-1970)
from Poetry, November 1917

[Poem is in the public domain in the United States]

Marjorie Allen Seiffert biography

All Souls' Night / Frances Cornford

All Souls' Night

My love came back to me,
Under the November tree,
Shelterless and dim.
He put his hand upon my shoulder,
He did not think me strange or older,
Nor I him.

~~
Frances Cornford (1886-1960)

[Poem is in the public domain in Canada]

Mohamed Hassan, Lovers Night, 2018. Public domain, Stockvault.net

Frances Cornford biography.

Will Dockery Selected Poems released

The Selected Poems 1976-2019 of American poet Will Dockery, edited by Penny's Poetry Blog publisher George J. Dance, were published last month in the U.S.A. by Dockery, and in Canada by Principled Press (Dance's imprint). The book brings together poetry and song lyrics from all 5 decades of Dockery's career so far, to give an intimate look at the man and his work. You can order the book on Amazon.

Will Dockery has been a long-time contributor to Penny's Poetry Blog. A generous selection of his work, including several poems from his new book, can be read here.

Penny's Top 20 / October 2019

Penny's Top 20
The most-visited poems on  The Penny Blog in October 2019:

  1.  Demons, George J. Dance
  2.  Under the harvest moon, Carl Sandburg

  3.  Last Week in October, Thomas Hardy

  4.  Esthetique du Mal, Wallace Stevens
  5.  7/16/69, George J. Dance
  6.  An October Nocturne, Yvor Winters
  7.  Hallowe'en, Coningsby Dawson
  8.  Chaos in Motion and Not in Motion, Wallace Stevens
  9.  Autumn Love, John Byrne Leicester Warren
10.  Poppies in October, Sylvia Plath

11.   To the October Wind, Ethelwyn Wetherald
12.  All Hallow's Night, Lizette Woodworth Reese
13.  The Bright Extensive Will, AE Reiff
14.  October, Paul Hamilton Hayne
15.  News, AE Reiff
16.  The Reader, Wallace Stevens
17.  Christ Walks in this Infernal District Too, Malcolm Lowry
18.  The Motive for Metaphor, Wallace Stevens
19.  Autumn, T.E. Hulme
20.  Pines against the Light, Hector de Saint Denis Garneau

Source: Blogger, "Stats"