[from Notes Toward a Supreme Fiction, by Wallace Stevens:]
It Must Change
I
The old seraph, parcel-gilded, among violets
Inhaled the appointed odor, while the doves
Rose up like phantoms from chronologies.
The Italian girls wore jonquils in their hair
And these the seraph saw, had seen long since,
In the bandeaux of the mothers, would see again.
The bees came booming as if they had never gone,
As if hyacinths had never gone. We say
This changes and that changes. Thus the constant
Violets, doves, girls, bees and hyacinths
Are inconstant objects of inconstant cause
In a universe of inconstancy. This means
Night-blue is an inconstant thing. The seraph
Is satyr in Saturn, according to his thoughts.
It means the distaste we feel for this withered scene
Is that it has not changed enough. It remains,
It is a repetition. The bees come booming
As if–The pigeons clatter in the air.
An erotic perfume, half of the body, half
Of an obvious acid is sure what it intends
And the blooming is blunt, not broken in subtleties.
[...]
[All rights reserved by the author's estate - Please do not copy]
It Must Change
I
The old seraph, parcel-gilded, among violets
Inhaled the appointed odor, while the doves
Rose up like phantoms from chronologies.
The Italian girls wore jonquils in their hair
And these the seraph saw, had seen long since,
In the bandeaux of the mothers, would see again.
The bees came booming as if they had never gone,
As if hyacinths had never gone. We say
This changes and that changes. Thus the constant
Violets, doves, girls, bees and hyacinths
Are inconstant objects of inconstant cause
In a universe of inconstancy. This means
Night-blue is an inconstant thing. The seraph
Is satyr in Saturn, according to his thoughts.
It means the distaste we feel for this withered scene
Is that it has not changed enough. It remains,
It is a repetition. The bees come booming
As if–The pigeons clatter in the air.
An erotic perfume, half of the body, half
Of an obvious acid is sure what it intends
And the blooming is blunt, not broken in subtleties.
[...]
[All rights reserved by the author's estate - Please do not copy]
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