In August / Ethelwyn Wetherald

In August

Now when the grove is stifled to the core,
    And all the parchèd grass is summer-killed,
    I think of vehement March, and how she filled
These arid roadsides with a murmurous pour
Of rushing streams from an exhaustless store.
    This breathless air to tropic slumber stilled,
    Recalls those early passionate winds that thrilled
The spirit, blending with the water’s roar.

Just as in rich and dusty-leavèd age
    The soul goes back to brood on swelling buds
    Of hope, desire, and dream, in childhood's clime,
So I turn backward to the spring-lit page,
    And hear with freshening heart the deep-voiced floods,
    That to the winds give their melodious rhyme.

~~
Ethelwyn Wetherald (1857-1940)
from Tangled in Stars, 1902

[Poem is in the public domain in Canada, the United States, and the European Union]

Patrick Roper, Dry fields during heatwave, August 2018. CC BY-SA 2.0, Wikimedia Commons.

See also: "A March Night" by Ethelwyn Wetherald

Ethelwyn Wetherald biography

"The Orient, Half Morocco, 8vo" / Ruth Comfort Mitchell

"The Orient, Half Morocco, 8v0"

Courtesy Internet Archive.

She bought a book, once, with the butter money —

A wild, undreamed of, reckless thing to do!
(So much to manage for the winter schooling;
That split in Hannah Mary's Sunday shoe. . . .)

The cover bravely flaunted gold and scarlet,—
Gave hint and promise of the hidden feast,
Fine-grained and limber, sleek beneath the fingers,
Frankly symbolic of the gorgeous east.

She wrapt it up and laid it in the bureau;
She knew she wouldn't get to read it soon,—
Not while she had the harvesters to cook for,
Tho' maybe ... of a Sunday afternoon. . . .

How often, then, her thoughts went winging to it,
Thro' all the cumbered days she had to wait,
Till, in a scanty hour of hard-won leisure,
She entered shyly thro' the latticed gate:

Dim harims . . . sultans . . . yashmaks . . . cloudy nargillehs,—
Strange sounding words from far-off story lands;
The farm-house fades; the Wishing Carpet bears her
To Kairowan, across the golden sands.

Since then, thro' all the somber woof of living,
For her the mystic Orient weaves its spells;
Faintly, at dawn, down thro' the dairy pasture,
She seems to hear the chime of temple bells.

Now she can see across the piles of mending —
(There is a window in her prison tower!)
Beyond the baking and the baby tending 

The Mueddin calls across the sunset hour.

When the fierce August sun in grudging mercy,
Threatening worse torments for the morrow, sets,
The battered barns, the tanks, the gilded hay cocks,
Are distant domes and towers and minarets.

The sullen farmer, summoned in to supper,
Weary and silent as he slouches down,
To her fresh eyes becomes a mighty Caliph
Whose minions tremble at his slightest frown.

Subtlest of all — of course they do not mark it —
She in herself is gently touched with grace —
The swifter carriage of her toil-warped figure,
The ghost of girlhood in her furrowed face.

Sometimes they have to call her twice, and sharply;
(They see her, and they think that she is there!)
Thro' all the homely clamor, she is hearing
Oh, very near and clear, The Call to Prayer!

~~
Ruth Comfort Mitchell (1882-1954)
from The Night Court, and other verse, 1916

[Poem is in the public domain in Canada, the United States, and the European Union]

Ruth Comfort Mitchell biography

Wild Peaches / Elinor Wylie

Wild Peaches 

I

When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.

The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.


II

The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.

Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.


III

When April pours the colours of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.

The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.


IV

Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.

~~
Elinor Wylie (1885-1928)
from Nets to Catch the Wind, 1921

[Poem is in the public domain in Canada, the United States, and the European Union]

Elinor Wylie biography

"Wild Peaches" read by Graham Buchan.

The Lake Isle of Innisfree / W.B. Yeats

The Lake Isle of Innisfree

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart's core.

~~
William Butler Yeats (1865-1939), 1888
from The Countess Kathleen, 1892

[Poem is in the public domain in Canada, the United States, and the European Union]

W.B. Yeats biography
Notes on The Lake Isle of Innisfree

"The Lake Isle of Innisfree" (music by Brian Dunning & Jeff Johnson). Courtesy Jeff Johnson.

After the Winter / Claude McKay

     
After the Winter

Some day, when trees have shed their leaves
    And against the morning's white
The shivering birds beneath the eaves
    Have sheltered for the night,
We'll turn our faces southward, love,
    Toward the summer isle
Where bamboos spire to shafted grove
    And wide-mouthed orchids smile.
And we will seek the quiet hill
    Where towers the cotton tree,
And leaps the laughing crystal rill,
    And works the droning bee.
And we will build a cottage there
    Beside an open glade,
With black-ribbed blue-bells blowing near,
    And ferns that never fade.

~~
Claude McKay (1889-1948)
from Spring in New Hampshire, 1920

[Poem is in the public domain in Canada and the United States]

Claude McKay biography

"After the Winter" read by Nick Rojas. Courtesy Blue Wolf Studios.

White Sands Meet the Blue/Green Sea / Jeanne Ames

White Sands Meet the Blue/Green Sea

I want to go where the blue/green waters flow
Under cloudless sunny skies, and warm winds blow,

Where white sands rush to meet caressing waves,
Crystal waters wed virgin sands in cathedral caves,

Palm trees look down to gaze into a turquoise sea;
There love is ripe, and Pandora’s Box has no key.

Brightly colored birds soar overhead calling to us,
Terrain dark with ferns under forests green and lush,

Waterfalls pour over rocky cliffs into mirror-like pools
Where bright colored flowers float sparkling like jewels.

Only in my dreams have I run on the white sands
That separate tepid seas from sun soaked lands.

I want to sail away to this paradise of my dreams.
Maybe my dreamland is not as far away as it seems,

One day I might reach this land that beckons me
Where the white sands meet the blue/green sea.

~~
Jeanne Ames (Kitten)
Oregon, U.S.A.

Jeanne Ames on "Poets":
http://groups.google.ca/groups/profile?hl=en&enc_user=F9AAvhUAAAAhWowkGOj2WBWD4CSVVVatM2QSjOpuh1pnvFAOUlylOg

[All rights reserved by the author - Used with permission]