[from Notes Toward a Supreme Fiction, by Wallace Stevens:]
II
The blue woman, linked and lacquered, at her window,
Did not desire that feathery argentines
Should be cold silver, neither that frothy clouds
Should foam, be foamy waves, should move like them,
Nor that the sexual blossoms should repose
Without their fierce addictions, nor that the heat
Of summer, growing fragrant in the night,
Should strengthen her abortive dreams and take
In sleep its natural form. It was enough
For her that she remembered: the argentines
Of spring come to their places in the grape leaves
To cool their ruddy pulses; the frothy clouds
Are nothing but frothy clouds; the frothy blooms
Waste without puberty; and afterward,
When the harmonious heat of August pines
Enters the room, it drowses and is the night.
It was enough for her that she remembered.
The blue woman looked and from her window named
The corals of the dogwood, cold and clear,
Cold, coldly delineating, being real,
Clear and, except for the eye, without intrusion.
[...]
[All rights reserved by the author's estate - Please do not copy]
II
The blue woman, linked and lacquered, at her window,
Did not desire that feathery argentines
Should be cold silver, neither that frothy clouds
Should foam, be foamy waves, should move like them,
Nor that the sexual blossoms should repose
Without their fierce addictions, nor that the heat
Of summer, growing fragrant in the night,
Should strengthen her abortive dreams and take
In sleep its natural form. It was enough
For her that she remembered: the argentines
Of spring come to their places in the grape leaves
To cool their ruddy pulses; the frothy clouds
Are nothing but frothy clouds; the frothy blooms
Waste without puberty; and afterward,
When the harmonious heat of August pines
Enters the room, it drowses and is the night.
It was enough for her that she remembered.
The blue woman looked and from her window named
The corals of the dogwood, cold and clear,
Cold, coldly delineating, being real,
Clear and, except for the eye, without intrusion.
[...]
[All rights reserved by the author's estate - Please do not copy]
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